It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. The 1st construction, using the major scale, starts at Lesson 3.. Fig. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. In it, Tyler Larson demonstrates how you can use the diminished scale in your blues lead work to create a decidedly different—and very cool—sound. It is also a so-called symmetrical scale since the intervals are consistent. The sound of the Diminished triad is in itself very wacky to listen to. C#/Db: C#, D, E, F, G, G#, Bb, B, C# “Diminished licks in blues progressions are, seriously, one of the coolest things you can whip out when you are taking a blues solo,” Tyler says. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). This puts it right in my A minor pentatonic position at the fifth fret. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. This means there is harmonic movement occuring around these chords. Purchase the worksheet of the video [PDF - 5.00 $] Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. I’ll show you how to use a diminished arpeggio and chord over the 4 chord in a 12 bar blues. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. Draw it up on a piece of paper so you get an overview. Watch the Take 5: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues Hi, I'm Jeff McErlain and welcome to Take 5: Diminished Blues. Dominant Diminished Blues Lick. Power Your Blues Soloing with Diminished Lines. Along with the wide intervals in the Diminished triad these notes will give you a very special sound. Even more so if you take into account cultures that use quarter-tones. Just the blues scale could be a basis for a particular key (Blues). F#/Gb: F#, G, A, Bb, C, C#, D#, E, F# Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. E blues scale. Fig. Practice this run on the top two strings first, then move it down in the two octaves. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. If your into jazz this is one you need to learn. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): However, there are more definitions of the Blue note, I use the most common definition. It can also be used for fusion and heavy metal. Its one of these scales that just sound like jazz. Even more so if you take into account cultures that use quarter-tones. D#/Eb: D#, E, F#, G, A, Bb, C, Db, D# This means there is harmonic movement occuring around these chords. Practice this run on the top two strings first, then move it down in the two octaves. Thanks. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. The blues scale differs from the pentatonic minor scale only by the addition of a single note: the diminished 5th (also known as the ‘flattened 5th’, ‘flat five’ or ‘blues note’). If you have trouble downloading the file after paying with PayPal please write Aimee (aimeenolte@yahoo.com) telling her which file you have paid for and the transaction code: she will send you the file as an attachment. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. We’ll discuss each briefly. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. The Diminished Scale for Guitar. So when we got to the fifth bar we have F7 to F sharp diminished. You will be sent to a page containing the download links. This is largely because dominant 7th chords are chords of transition. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. a G diminished scale can be played over a G diminished chord). So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. See an example of shape for the dimished scale of C below. Reactions: JonR. guitar scale: B Diminished scale Forget the guess work and use our helpful scale & mode recommendations for each Guitar Backing Track. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. You will be brought to Paypal. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Description. Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. The 1st construction, using the major scale, starts at Lesson 3.. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. The Diminished Scale is often misunderstood. The Blues scale: Blue notes. The diminished scale also includes a b5, which is the blue … Try playing an E-blues scale and see how the E-diminished triad fits over that scale. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. The Diminished scale is an important scale used in Jazz but can also be used in blues. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale … Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. This is difficult to remember. Hello Steve, That's a question that I unfortunately never got the chance to cover here, on the website... Now's the time! That b3/#9 going to a major 3rd sound is already part of blues vocabulary. The full diminished scale will use 9 notes. E blues scale. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. John Scofield is a master of this technique. or download example audio. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). Please click the button below to refresh this page to see the new sales! The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. JonR Member. Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale … Just the blues scale could be a basis for a particular key (Blues). B: B, C, D, D#, F, Gb, Ab, A, B, Intervals: 1, b2, #2, 3, #4, 5, 6, b7 D: D, Eb, F, F#, G#, A, B, C, D Purchase the worksheet of the video [PDF - 5.00 $] Most jazz standard progressions, where we find the diminished chords, are tonal. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. Please click the button below to refresh this page to see the new sales! In Fig. Purchase the worksheet of the video [PDF - 5.00 $], Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. If you’re looking for a simple way to add a little jazz to your blues rhythm or lead, then you’ll love this lesson. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. We’ll discuss each briefly. Teaching section, Up Till Now - 2005 Just Us - 2010 Looking For The Answers - 2019Lighten Up - 2020, Get The Worksheets From Aimee's Youtube Videos. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. Semi-notes: 1 - 2 - 1 - 2 - 1 - 2 - 1 - 2 It is this ‘blues’ note that gives the scale its unique ‘bluesy’ tone. See also the Diminished Scale. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). This scale is primarily used in jazz music and works well together with alternate seventh chords. Write me or Aimee. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale typically used over dominant 7th chords. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. This scale is used to solo over diminished seventh chords. Diminished scales naturally fit very well when played over diminished chords with the same note name (e.g. In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. Check out his classic tune, "Techno" from his "Still Warm" CD. The Diminished Scale is often misunderstood. Sometimes you just have to wait few minutes to download the file. Diminished Scales. It is also a so-called symmetrical scale since the intervals are consistent. GuitarToneMaster.com. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. This scale is primarily used in jazz music and works well together with alternate seventh chords. Press on "buy now" or on "add to cart" (if you want to buy more items: discounts are available if you reach 16$). The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. This is unique to each person. In Fig. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. So when we got to the fifth bar we have F7 to F sharp diminished. When you consider its exotic sound, the mystery grows. Draw it up on a piece of paper so you get an overview. Live performances, Please join my YouTube channel Aimee Nolte Music with hundreds of videos! Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. For today, we're just going to focus on the half-whole diminished scale because, like the other scales on this list, it works really well over a G7 chord. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# How to use a Diminished Scale and Chord in a 12 Bar Blues – EP170. Dominant Diminished Scales overview There are scales that I’ll never play and scales that I’ll probably never even hear. or download example audio. The scale that you need to use in a context not the diminished scale. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale for […] The Diminished Scale for Guitar. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Diminished Scales. Diminished Scale Guitar Diagram 2. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? The diminished scale pattern is a whole – half step repeating pattern. It can also be used for fusion and heavy metal. 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